Training: BA (hons) Music – Anglia University, Cambridge, PGDip (Performance) – LSMT.
Theatre credits include: Paul — A Strange Kind of Hero (Brighton Fringe), Dick Whittington (Barbican), A Funny Thing Happened on the Way to the Forum (New Wolsey Theatre, Ipswich), Charmin’ (Greenwich Theatre), Promises and Lies (Birmingham Rep), Cinderella (Oxford Playhouse), The Life of Galileo (Birmingham Rep), HMS Pinafore (Open Air Theatre, Regent’s Park), Aladdin (Courtyard Theatre, Hereford), The Threepenny Opera (National Theatre), Emancipation Day (Soho Theatre and Theatre Royal, Stratford East), 20,000 Leagues Under the Sea (Theatre Royal, Stratford East), Baiju Bawra (Theatre Royal, Stratford East), Excerpts From Copacabana (London Palladium), Hope (Westminster Theatre), Elegies for Angels, Punks and Raging Queens (Battersea Barge), West Side Story, Cobweb in Britten’s opera A Midsummer Night’s Dream (both for Open Hand Prod) Film credits: Sweeney Todd (directed by Tim Burton), Deadline (directed by Christian Wise).
Recording credits include: The Rocky Horror Show (Hammersmith Palais) and Mother Goose (Cambridge Arts Theatre). As Musical Director: Fame – the Musical (Fusion).
Natasha has also toured extensively as a soprano soloist and trombonist to Australia, Singapore, Malaysia, Italy, France and the Czech Republic.